CD BERNSTEIN, LEONARD - HARVARD LECTURES
CD
BERNSTEIN, LEONARD - HARVARD LECTURES
- Kiadás dátuma
- 17.8.2018
- Vonalkód
- 0190758504728
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Album tracklistje
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Bernstein, Leonard - the Norton Lectures 1973: Th
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First of All...
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Perhaps the Principal Thing...
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Let Me Start...
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This is Not Just a Sentimental Anecdote...
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From This Time...
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But How Do We Investigate...
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Now You Can See...
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Universality is a Big Word...
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Other Linguists...
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I Began by Imagining Myself...
/12
Well, then I Thought...
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Let's Make a Simple Analogy...
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Maybe Even a Divine One...
/15
But Where Do These Notes Come From...
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This Acoustical Phenomenon...
/17
All These Upper Notes...
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The First Overtone...
/19
But More of That Later...
/20
But Let's Not Make the Mistake...
/21
And That's How the Tempered Clavichord...
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Now This is a Substantive Universal...
/1
But Let's Be Careful...
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And There is Always That Blue Note...
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But Even These Twelve Tones...
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I Trust You Realize...
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And Again Comes a Great Leap...
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Now This Means...
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This is Not to Say That There Were No Drastic Chan
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But Meanwhile We Are Still in the Golden Age...
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So, We're in the Midst of a Chromatic Adventure...
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And All by Those Progressions...
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Now, I Must Point Out...
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Do You Realize...
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Bernstein, Leonard - Sinfonie Nr. 40 G-moll Kv 550
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1. Molto Allegro
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2. Andante
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3. Menuett: Allegretto - Trio
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4. Allegro Assai
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Bernstein, Leonard - the Norton Lectures 1973: Th
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Every Once in a While...
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Last Week...
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Amen, Says Noam Chomsky...
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I Suppose What Chomsky is Really After...
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So, Let's Pull Up Our Socks...
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All Right, Let's Try Another One...
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Why Am I Taking Your Time...
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Well Then...
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I Think It Follows...
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But First, What Are These Principles...
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Transformational Grammar...
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But Now Just Think of That Sentence...
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Since This is Not a Linguistics Class...
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Take the Passive Transformation...
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Well, It Hasn't Brought Us There...
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Good - Now Just As Three Notes Are Linked Together
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Now Let's Go Back...
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Now We Are Ready...
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Now I Want to Take You...
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Well, Transformation, Deletion, Embedding, Pronomi
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I Am Sure I Don't Have to Trouble...
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Here I Go...
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I Have Asked Myself...
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I Became So Fascinated...
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Let's Take One Such Utterance...
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Now Imagine...
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Now Let's See...
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Mozart's G Minor Symphony...
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Now Our Job Is...
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That Introductory Accompaniment...
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What Does This Three-note Design Mean...
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The Reason I Pick Symmetry...
/9
Now from Here On...
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And Once Again, We Are Back...
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By Far the Chief Transformational Principle...
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You See, One of the Great Failings...
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Most People Hearing Mozart's Opening...
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So What, You Ask...
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And if You Are Still Not Convinced...
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These Ambiguities...
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For Instance, in This Same First Movement...
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So All These Syntactic Transformations of the Same
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He Talks About This Sonnet...
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Because Now It's Time...
/21
But Now Let's Listen To...
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Listen to the Whole Exposition...
/23
Development Coming Up...
/24
The Circle of Fifths Again...
/25
And That Was All One Single Sentence...
/1
Bernstein, Leonard - the Norton Lectures 1973: Th
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The Other Day...
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The First Would Show Us One Meaning...
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Think of This Famous Passage...
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A Linguist Would Say...
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Well, I Replied, Chomsky Would Say...
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Of Course, That Last Metaphorical Leap...
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Terrific, Said My Blonde Inquisitor...
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In Fact, when You Think of the Number...
/10
All Right, First Let's Look Briefly...
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Playing, That's the Word...
/12
But Does This Stravinskian Game Concept...
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There Are Three Specific Ways...
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Now, Having Defined My Usages of Metaphor...
/15
And Here We Are in Trouble...
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Are We Feeling What Beethoven Supposedly Felt...
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We Will Never Know...
/18
Now, if We Accept This General Idea...
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In Our Last Lecture...
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We All Recognize Antithesis...
/21
It Can & It Does...
/22
And Again, As in the Poem...
/23
In Fact, It Has Been Authoritatively Suggested...
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We Can Expand the Idea...
/25
What Do You Suppose...
/26
What's Seriously Striking...
/27
So Why the Pastorale in This Lecture...
/28
Let's Begin at the Beginning...
/29
But What of the More Obvious Melodic Material...
/30
But to Develop How...
/31
Now We Have an Insight...
/32
But Wait...
/33
But Why Were Just Those Two Notes Added...
/1
The Metaphor Arises...
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But in the Ensuing Four Bars...
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But That's Not the Main Event...
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Well, That's the Beginning...
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That's One of the Questions...
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This Interference of the Two Frequencies...
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But What Are We to Say...
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It is to Be Found...
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Now That's One Way of Looking...
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At This Point...
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Even if You Can Succeed...
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Bernstein, Leonard - Sinfonie Nr. 6 F-dur Op. 68
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1. Erwachen Heiterer Empfindungen Bei Der Ankunft
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2. Szene Am Bach (Andante Molto Moto)
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3. Lustiges Zusammensein Der Landleute (Allegro)
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4. Gewitter, Sturm (Allegro)
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5. Hirtengesang: Frohe Und Dankbare Gefuehle Nach
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Bernstein, Leonard - the Norton Lectures 1973: Th
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When I First Wrote Down the Title...
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Part of the Danger...
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The Idea of Ambiguity...
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Similarly, in Our Second Lecture...
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Then What's the Magic Secret...
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Enough of Ambiguity...
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The Irony of All This...
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But, Mind You...
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Where Music Was Concerned...
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Only Think Of...
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And Chopin: Well, We Can't Ignore Chopin...
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And Then, in the Same Little Mazurka...
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Foolish Questions...
/15
Let Me Try to Read You...
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Listen to This...
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They Began to Intermingle...
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The Pivotal Point...
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So There is a Dramatic Change...
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So It is After All Not So Surprising...
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Now if You Noticed...
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You See, the Music is Trying Hard...
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So That Instant in Musical Time...
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Now Romeo is All Stirred Up...
/25
Bernstein, Leonard - Romeo et Juliette Op. 17 (Rom
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1. Romeo Seul: Tristesse - Bruits De Concerts et D
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2. Allegro - Larghetto Espressivo
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3. Allegro
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4. Reunion Des Deux Themes, Du Larghetto et De L'a
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Bernstein, Leonard - the Norton Lectures 1973: Th
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What a Piece...
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Quite Unconsciously Borrowed...
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My Purpose in All This...
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Is It, Says Wagner...
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Every Diminished Seventh Chord...
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Now the Remarkable Thing Is...
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And This is What Gives Tristan...
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Bernstein, Leonard - Tristan Und Isolde (Oper in 3
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Vorspiel - Liebestod
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Bernstein, Leonard - the Norton Lectures 1973: Th
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That May Be the Slowest Performance...
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But Ultimately...
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Poetry Has Begun to Show...
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And when Debussy...
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It's Lovely, This Dreaming...
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For Example, Do You Remember...
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In Fact, the Ending of This Piece...
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Let Me Show You Briefly...
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This New Episode That Proceeds...
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For Instance, Hardly Have We Had Time...
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Because the Scale...
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It's Almost Exactly What Happens...
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Literally Translated...
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But Notice, Too, That the Example...
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Both Works Have Definitive Beginnings...
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Listen As I Pay...
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Bernstein, Leonard - Prelude a L'apres Midi D'un F
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Bernstein, Leonard - the Norton Lectures 1973: Th
/25
Some Crazy Modern Music...
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Bernstein, Leonard - the Norton Lectures 1973: Th
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Our Lecture Tonight...
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Bernstein, Leonard - Rhapsodie Espagnole (Auszug)
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4. Feria
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Bernstein, Leonard - the Norton Lectures 1973: Th
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What a Way to Enter the Twentieth Century...
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But 1908, if the Truth Be Told...
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These Troubling Presentiments...
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So, Now in 1908...
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This is Atonality...
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A Charming Idea...
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Bernstein, Leonard - the Unanswered Question
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Bernstein, Leonard - the Norton Lectures 1973: Th
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Is That Luminous Final Triad...
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I Have Recently Been Reading...
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We Have Already Referred to Some of Those...
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In Any Case...
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But for All These Reasons...
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Son of Tristan...
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Now You Look at Those First Two Bars...
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Of Course, There Are Lots...
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It's As Though a New Covenant...
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Trouble Is, That the New Musical Rules...
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The Kind of Tonal Feeling...
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Of Course, There Are Those Who Say...
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It Seems Somehow Inevitable...
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Is There Possibly the Beginning...
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And What About Beethoven's Ninth...
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There Are Some of the Problems...
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Now Let's Jump Ahead...
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Let's Put It Another Way...
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First of All, Berg Chose a Tone Row...
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So, All in All...
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Szeryng, Henryk - Konzert Fuer Violine Und Orchest
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Bernstein, Leonard - the Norton Lectures 1973: Th
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Fantastic...
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It Comes at a Point...
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Szeryng, Henryk - Konzert Fuer Violine Und Orchest
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2. Allegro, Ma Sempre Rubato
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Bernstein, Leonard - the Norton Lectures 1973: Th
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If This Particularly Demanding Lecture...
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If You Really Have Been Thinking...
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But While Restudying This Work...
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The Twentieth Century...
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What Do You Do if You Know All This...
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It's Very Strange, How the Pieces...
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What Exactly Was This News...
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We Emerge from a Cinema...
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As You Listen to This Finale...
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This is Mahler...
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Bernstein, Leonard - Sinfonie Nr. 9 D-dur (Auszug)
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4. Adagio, Sehr Langsam Und Noch Zurueckhaltend
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Bernstein, Leonard - the Norton Lectures 1973: Th
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I Know What You Are Thinking...
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What About This...
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I Am Plaguing You with This Question...
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Of Course What He is Really Talking About...
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But It Was Precisely...
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Now I Have Just Used Two Words...
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In Fact, It Was Satie, Picasso, & Cocteau...
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But Our Scene...
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Even in the Most...
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For Our Purposes...
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Musicologists Are Always Pointing...
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But Bitonality Does Not Only Serve...
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Of Course, Polytonality Can & Does...
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Now What's Going On...
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And While You Are in That Record Shop...
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Of Course, These Asymmetries...
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Brutal It May Be...
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Now, Remember...
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These Are Two Sets...
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Just Cast an Eye...
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Now That Page of Music...
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But the Most Striking Semantic Effect...
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This New Aesthetic Relaxation...
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Even Some Germans...
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You Can See How the Transformation...
/27
Chomsky Himself Gives a Classic Example...
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Very Important, the Ironic Element...
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So, It Would Seem...
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But This Neoclassic Approach...
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I Think This is Again a Moment...
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It's the Essence...
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If This Poem Were Rewritten...
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Why Have I Digressed...
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Now Can You Understand...
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Untermeyer Called This...
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Of Course, with the Waste Land...
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But the Thing of It All Is...
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We Are Going to Hear...
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One Has Only Learned to Get...
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Now I Propose Only Because...
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This Union is Possible Only Because...
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But What Has All This to Do with Stravinsky...
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And This is the Essence...
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Look: Here is a Joke...
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Chilling, Shattering, Neoclassic...
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Stravinsky's Own Aesthetic Pronouncements...
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But of Course He Was Forced...
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And Now We Are Finally Reading...
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And then Mozart Appears...
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But This Eclecticism Knows No Bounds...
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Now All This I Had Planned to Tell You...
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You Think That's Funny...
/21
How About That...
/22
Then Came the Answer...
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But Why This Particular Misalliance...
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My Words Are Poor...
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Troyanos, Tatiana - Oedipus Rex (Oratorium) (Gesam
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Prolog: You Are About to Hear a Latin Version of O
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Caedit Nos Pestis (1. Akt)
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Liberi, Vos Liberabo
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This is Creon, Brother-in-law of Oedipus
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Respondit Deus
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Oedipus Questions the Fountain of Truth
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Dicere Non Possum
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Gloria!
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The Dispute of the Princes Attracts the Attention
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Nonn' Erubescite, Reges
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Ne Probentur Oracula
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Ego Senem Cecici
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The Witness to the Murder Comes out of the Shadow
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Adest Omniscius Pastor
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Nonne Monstrum Rescituri
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And Now You Are Going to Hear That Famous Monolog.
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Divum Jocastae Caput Mortuum!
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Ecce! Regem Oedipoda
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Bernstein, Leonard - the Norton Lectures 1973: Th
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Va-le-di-co...
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During That Decade...
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It Was at This Point That I Wrote...
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What Interests Me About It...
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Is It Possible...
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It's As Tough in the Period...
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And I Believe...